Latest Price: MYR 4558
Mount: Nikon FX
Tagged: Wide Angle, Landscape, Low light, Travel
Introduced on: 2010
February 9, 2010: Nikon UK today announces the AF-S NIKKOR 16-35mm f/4G ED VR, the world’s first ultra-wide angle zoom lens with VR for FX-format cameras. The new lens offers an affordable and practical proposition for general photography with FX-format cameras such as the D700.
Zurab Kiknadze, Product Manager Lenses, Accessories & Software, Nikon Europe says: “The AF-S NIKKOR 16-35mm f/4G ED VR covers all bases for wide angle shooting and addresses market feedback for a more affordable alternative to the professional AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED or more recent AF-S NIKKOR 14-24mm f/2.8G ED ultra-wide-angle lens”.
Sharper handheld images at slow shutter speeds
The AF-S NIKKOR 16-35mm f/4G ED VR is the world’s first ultra-wide angle zoom lens to feature Vibration Reduction technology, providing the ability to shoot at shutter speeds up to four stops slower. The application of VR complements the f/4 maximum aperture when shooting in low light.
Class leading image quality
The new lens’ complex optical design features Nikon’s exclusive anti-reflection Nano Crystal coat, two ED glass elements and no less than three aspherical glass elements to minimize distortion and aberration, even at maximum aperture. The VR II system and Silent Wave Motor deliver extremely quiet, discrete operation and the nine bladed rounded diaphragm renders delightful bokeh.
Built for everyday use
The AF-S NIKKOR 16-35mm f/4G ED VR balances well with more compact FX format cameras such as the D700 and is consequently built to withstand the demands of everyday shooting. The robust magnesium construction and weather sealing will make it an ideal choice for the adventurous enthusiast and professional photographer. It comes complete with durable hood HB-23, and soft pouch.
Nikkor AF-S 16-35mm f/4 G ED VR (FX) – Review by photozone.de
The Nikkor AF-S 16-35 VR is a very good pro grade ultra wide zoom lens that shows excellent resolution in the center, very good border and corner at medium focal lengths, but lacks border and corner sharpness at the shortest and longest focal lengths. Distortion is rather hefty at 16 mm, but well under control above this zoom setting. Both vignetting as well as CAs show acceptable to good values for an ultra wide zoom lens, nothing to rave about, but certainly no show stoppers either. The build quality is excellent and in line with other professional Nikkor lenses.
As the world’s sharpest ultrawide zoom, it’s the best Nikon wide-angle lens ever for most shooting.